In the name of Allah the Merciful

Making a Scene in Documentary Film: Iconic Filmmakers Discuss What Works and Why

Maxine Trump, 2022014286, 2022014287, 1032184833, 1032184817, 9781032184814, 978-1032184814, 978-1-032-18481-4, 978-1-032-18483-8, 9781032184838, 978-1032184838, 978-1-003-25476-8, 9781003254768, 978-1003254768, B0BZT6V8Q8

10 $

English | 2023 | PDF | 6 MB | 203 Pages

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This collection of iconic interviews  helps demystify the documentary filmmaking process by deconstructing the  most relevant and important scenes in some of today's most well-known  documentary films. It offers concrete, real-world examples of the  situations and decisions that filmmakers navigate. We go behind the  scenes with the creators to learn the methodologies and approaches these  directors, cinematographers, editors, and sound recordists have taken  to bring these amazing documentaries to life.

What  makes a great scene? Why are they so important in the construction of a  great film? The interviews included offer excellent insights from the  directors of the award-winning The Truffle Hunters, My Octopus  Teacher, Collective, Knock Down the House, Dick Johnson Is Dead,  and Trapped; the cinematographer of RBG, Julia, and Fauci; the editor  of Time; and sound recordist of Tiger King. Award-winning documentary  filmmaker and esteemed Sundance advisor Maxine Trump goes in-depth with  each filmmaker, asking about their creative process. Why did these  scenes make such a deep impression on both the filmmakers and their  audience? Was it the cinematic style, the dynamic dialogue, the magic of  observational filmmaking, or a surprising turning point?

This  technical but creative and accessible resource is suitable for  documentary filmmakers, aspiring directors, producers, editors, and  cinematographers of non-fiction film. Each interview offers a fresh  perspective to the emerging or professional filmmaker and audience  alike.